WHY THE NAME
ACT FOUR?
BY DANIEL CALVISI
*My method is based on Classical Three Act Narrative storytelling, which is the foundation of 98% of feature films and novels.
*If 98% of feature films are EDITED this way, then I believe your
spec
script should be structured in this way on the page. The best
scripts I read on the job as a professional Reader utilized this
structure.
* No writer can be truly objective in analyzing and evaluating their own work. NO WRITER, no matter how much experience.
*Anyone with an interest in writing can complete a first draft. And EVERY writer's first draft is terrible, even that of a seasoned pro.
*But what comes after, to separate the amateurs from the pros? The completed screenplays from the Great Scripts?
*What comes after is...Act Four.
Act Four
is the Analysis,
Notes, Editing, Rewriting, and
Polishing phase. Since I don't
believe that you can see your
own work objectively, I believe that
seeking the view of a
discerning and capable Story Analyst is
absolutely crucial.
Act Four
is possibly the
MOST CRUCIAL PHASE,
if you're serious enough about screenwriting to
aspire to be a professional.
Act Four
also necesitates a
strong consideration for the Marketing and
Submission of your work, but
the actual execution of these steps
should be considered as the next
stage in the life of your screenplay. For now,
let's focus on the craft, because that's what's going to
impress the Reader.
So you wrote a screenplay -- I congratulate you on your achievement.
It's a lot of work.
It can be a very exciting process.
You've only just begun.
I can help to guide you.
"If you are looking for someone who
combines
expert
analysis with incredible credentials and experience,
put Daniel Calvisi
in your
script
analyst black book."
- Script
Magazine
Daniel P. Calvisi has
worked for a number of major
studios
(Miramax Films,
Twentieth Century Fox, New Line Cinema, etc.).
As a Senior
Story Analyst at Miramax Films and
Dimension Films,
Daniel worked for executives who developed the films Chicago,
Gangs of
New York, Scream 2 & 3, sPY KIDS,
Confessions of a Dangerous Mind,
and Chocolat,
among others.
Turn your screenplay,
TV spec, short, outline
or treatment into
a tight focused draft that will blow
away professional readers!
Book now to reserve a Consultation
Service.
NEWS:
SECRETS
OF THE
STUDIO READER
(Interview I gave to the RWA)
FALL
'08 GROUP CLASSES NOW FILLING!
I ran two tracks over the summer and
they were huge successes!
Act Four is now in Los Angeles!
The strike has lifted and
the spec market is BOOMING,
so NOW is the time
to get that spec
ready for market!
Congratulations to the WGA on a
well-deserved victory!

Read my Strike
Report photo essay.
My blog
contains essays
and photos on movies, screenwriting and
a set visit to an action movie starring
Armand Assante.
Read my essay on the Screenwriter's
Voice
Tip: If you can't do a group
class,
email me to book a
Private Workshop.
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DISCOUNTS
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WGC, BAFTA, NYU grads and Hal Croasmun students!
all content on this site copyright (c) Daniel Calvisi 2008